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Monstrous media/ spectral subjects Imaging gothic from the nineteenth century to the presentĮdited by Fred Botting and Catherine SpoonerĬopyright © Manchester University Press 2015 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. Monstrous media/spectral subjects Imaging gothic from the nineteenth century to the present Edited by Fred Botting and Catherine Spoonerīoard of General Editors Elisabeth Bronfen, University of Zurich, Switzerland Steven Bruhm, University of Western Ontario, Canada Ken Gelder, University of Melbourne, Australia Jerrold Hogle, University of Arizona, USA (Chair) Avril Horner, Kingston University, UK William Hughes, Bath Spa University, UK Editorial Advisory Board Glennis Byron, University of Stirling, UK Robert Miles, University of Victoria, Canada David Punter, University of Bristol, UK Andrew Smith, University of Sheffield, UK Anne Williams, University of Georgia, USA Previously published Globalgothic Edited by Glennis Byron EcoGothic Edited by Andrew Smith and William Hughes 1 Introduction: monstrous media/spectral subjectsĢ Gothic wars - media’s lust: on the cultural afterlife of the war deadģ Kingdom of shadows: fin-de-siècle gothic and early cinemaĤ ‘A mirror with a memory’: the development of the negative in Victorian gothicĥ Modern phantasmagorias and visual culture in Wilkie Collins’s BasilĦ ‘The earth died screaming’: Tom Waits’s Bone MachineĨ ‘Nineteenth century (up-to-date) with a vengeance’: vampirism, Victorianism and collage in Guy Maddin's Dracula – Pages from a Virgin's Diaryĩ Spectrality and the deconstruction of the cinema in Neil Burger’s The Illusionist and Steven Millhauser's short storiesġ0 Performing fabulous monsters: re-inventing the gothic personae in bizarre magickġ1 Body genres, night vision and the female monster: REC and the contemporary horror filmġ2 You have been saved: digital memory and salvation